One on One with... Tatyana Sharpee

"Disorders of the nervous system are devastating. Understanding details of communication with spikes is a pre-requisite for developing better cures."
-Tatyana Sharpee
Assistant professor Tatyana Sharpee is among the newest faculty members at the Institute. Since joining Salk in 2007, she has been recognized with several prestigious research awards, including the Alfred P. Sloan Research Fellowship, the McKnight Scholar Award and named a Searle Scholar – honors that are reserved for scientists who have demonstrated innovative research early in their careers with the potential for making significant contributions to biological research. An authority on information theory, Sharpee's team uses a statistical method she developed to decipher how the brain codes and processes information from natural visual stimuli.
I understand you first studied the properties of electrons.
What influenced you to turn your attention to neurons?
The theoretical ideas are similar even though the physical systems are
very different. And the closest application between statistical physics
and information theory is neuroscience. When I was a little girl, I wanted
to be a doctor. But I also greatly admired my grandfather, who was a
mathematician/physicist. Working in theoretical and computational
biology, in particular neuroscience, provides a way to be connected to
the two fields. After completing a thesis in theoretical physics, I joined
the Sloan-Swartz program during my postdoctoral studies that provides
biology training to physicists.
What fascinates you about the brain?
It's remarkably efficient. For example, my desktop computer uses 60
watts of power and some estimate that the brain uses just 12 watts. Yet
the brain is very good at doing analog computations that are very hard
mathematical problems such as forming a map of surrounding events
that come in through our visual system. So for example, your eyes move
three times per second and each time you have a pinhole presentation
and yet that's not what we perceive. We perceive a whole continuous
field. The algorithms for doing this do not exist, except in the brain and
we have yet to find out what they are.
You developed a method for analyzing the brain cells'
response to natural visual stimuli. What type of stimuli
do you use in your experiments and how is it different from
standard practice?
We use a collection of scenes that I took while walking through the
woods with a video camera. The reason for using such natural stimuli is
that they elicit good responses from high-level neurons whose job is to
integrate incoming visual information. When such neurons are presented
with simplified stimuli devoid of objects, they respond poorly, sometimes
not at all. Our hope is that, although we do not know before the experiments
which combination of visual features will drive a particular neuron,
by taking scenes from the visual world there will be some features of
interest to any visual neuron. A collaborative project with Salk professor
John Reynolds' laboratory was recently funded by NEI to both develop
new statistical methods and use them to analyze responses of high-level
visual neurons.
So if you only take measurements from just one neuron at
a time, how do you know what part of the scene caused it
to fire? How do you know it wasn't a shape, or a color that
trigged the response?
That's why people were shying away from using natural scenes: they are
so complex that when you get a spike, you didn't know what actually
triggered it. Although you can't make a determination from just one frame, it actually becomes possible when you analyze responses from
10,000 different images, taking into consideration which combination
of features produced spikes and which did not. Together with my
postdoctoral advisors, we worked to develop an algorithm that can do
this correctly regardless of which frames were presented. It is very
important with natural stimuli because they are often poorly controlled.
To illustrate the main idea of the methods let's say an image contains
three elements, and the next image contains these elements in different
positions or perhaps even different elements. Then as you do your analysis,
you start to see, a-ha, this one caused a spike, and this one didn't
when the elements were moved apart. So you start getting statistics of
the most likely feature that is associated with a neuron's response.
Using advanced statistical techniques, we can create templates for
neuron activity from natural visual stimuli.
Does your work focus solely on visual stimuli?
We also use auditory stimuli to learn more about the auditory cortex,
which is not as well known or studied as the primary visual cortex.
Auditory studies in some ways are more complicated, and some argue
that primary auditory cortex is more equivalent to high-level visual
neurons than to the primary visual cortex. We know that a given neuron
will prefer a certain frequency in the tone or maybe it'll have a sweep
up frequency or a sweep down frequency, but that's about it. But
through the auditory experiments, we learn about a different brain area
and as theorists we try to make parallels between different senses, such
as vision or audition, and search for overarching principles.
What does your lab hope to learn by these types
of experiments?
One goal is to learn how signals are integrated in the visual cortex to
allow us to perceive objects and shapes. I'm also attracted to theoretical
questions of optimization of information transfer in networks. There
is an emerging viewpoint that the primary function of many biological
networks, either within a cell or between cells, as in neural networks,
is the transfer and processing of information. So for example, through
phosphorylation a given protein can integrate multiple inputs into a
single output that is a graded function of the combination of inputs.
At least mathematically, this operation is very much analogous to the
integration of signals in the nervous system where a given neuron would
sum its synaptic inputs, and produce a spike if the result of integration
exceeds a certain threshold. In our recent work (currently in press), we
have described how networks of such graded nodes can be set up to
convey the maximal amount of information. Assuming the network is
optimal, our theoretical analysis also provides a way to infer the strength
of interactions with unmeasured parts of the network. This is important
because only rarely do we have measurements on a complete circuit in
the nervous system. We are looking forward to seeing how these ideas
will fare against experimental data.
You grew up in the Soviet Union. Where were you in your
academic life during the dissolution period? And was a
career in science encouraged for women during that time?
That was around 1992, so I was graduating from high school. The
official policy of the Soviet Union was equality for all, to quote a slogan from a classic Soviet film "woman is a human being too." So I think the
government tried to promote participation of women. But there's the
official language and then there's reality. I wasn't always comfortable
based on the peer pressure, but I think at least at the early stages of
their careers women participation was encouraged.
Was there anyone in particular who encouraged you to get
into science?
Yeah, there were lots of people. I had a very good physics teacher in
high school, Anatoliy Israilevich Shapiro, who had interesting techniques
for teaching students. For example, he would provide very small blank
sheets of paper, just several square inches, and give us problems to
solve. He thought that having to express ones thoughts on the small
sheets promoted creativity when you really had to think about what
to write in such a small space. And a problem could be, for example:
"Write 10 ways to speed up the drying process of a wet umbrella." He
always emphasized that it was better to solve one problem 10 different
ways than to solve 10 problems the same way. My family also influenced
me. My grandfather and grandmother are mathematicians and my
parents are physicists, so even though I thought I had a choice, in
reality I didn't. I was gently steered into this field.
You work in a field that's dominated by men. Do you ever
feel the need to encourage other women to consider
a career in computational neurobiology?
I recently gave a presentation for Women Scientists in Action at the
Rueben H. Fleet Science Center where I spoke to the girls there, but
they are so little. I haven't talked to fifth and sixth graders in like 20
years (laughs). So I was trying to tell them about all of the advantages
of being a scientist, but I am afraid that my presentation could have
been way out of their interests. But it was a learning experience for me
as well, so maybe next time I'll be able to connect better with the girls.
You've received several prestigious fellowships in the last
year. How will you use the funds to expand your research?
At the genetic level, we know the code in DNA is universal whether it's a
fly, a mouse or a human, and that's a great success of molecular biology.
In neuroscience, we don't even know exactly what the code is, other than
the spikes are important. For example, we don't know to what extent the
precise timing of individual spikes matters, and the answer might turn
out to be different for neurons in different systems or species. So one
of the grants is meant to help my lab search for universal symbols in
neurotransmission, comparing the structure of neural code in visual or
auditory neurons in mammals, birds, and/or flies.
What would finding these universal codes tell us?
Disorders of the nervous system are devastating. Unfortunately, the
cures that are available are rather blunt or nonexistent, and often do
not take into account the fine scale organization of the nervous system.
Understanding details of communication with spikes is a pre-requisite
for developing better cures.
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